THEATRE AND DANCE
Bachelor's Degree Programs
In the UW-Whitewater Theatre and Dance program, everyone has a chance to learn everything from the front of the house to behind the scenes. We’re a highly hands-on, collaborative program offering an array of major, minor and degree options.
CAN WE BRAG A LITTLE?
100% of Theatre majors were employed in their field or in graduate school after graduation. (2018-2019)
"The UW-Whitewater Department of Theatre performed two one-act operas — "The Harpies” and “Signor Deluso” — in the Barnett Theatre. In the run-up to the performances, theatre faculty and students talk about what it takes to stage a musical production and the goings-on behind the scenes before the curtain finally rises on opening night.
Interested in auditioning for a production or learning more about getting involved backstage?
Why study Theatre and Dance at UW-Whitewater?
At UW-Whitewater’s Theatre and Dance program, we’re:
- Large enough to offer a five-production season while being small enough to offer hands-on learning-by-doing experience.
- Inclusive: Anyone can declare a major or minor in our programs, and anyone can audition for a show.
- Active in the local community: for example, we offer matinee performances for area high school students and an annual Arts Immersion Day for area talented and gifted middle school students.
- Experienced: Our faculty members come from near and far, and many are well-situated in our regional theatre community.
We also offer about $40,000 of scholarships to Theatre majors and Dance minors each year.
Scholarship includes Incoming Freshman Scholarships.
What our Theatre and Dance students do
Stage five major productions each school year
Attend the Kennedy Center American College Theater Festival annually
Earn credit for roles in productions
Attend the American College Dance Association Conference
Bryce Giammo is pursuing his Bachelor of Fine Arts in Theatre Performance with a minor in Dance. The moment the curtain closed on his high school musical experience, he knew this was what he wanted to do for the rest of his life.
Dyamond Jackson is pursuing her Bachelor’s degree with a major in Theatre Education and a minor in English Education. Fun fact - Dyamond created her own majorette hip hop dance organization, the first in the entire UW System, named The Warlettes. Her experience is a prime example of how individualized the student experience can be at UW-Whitewater.
Theatre and Dance: Major areas
Whether you’re looking to major in theatre arts to pursue a career in a performance, education, production or a related area, you’ll be able to choose a path of study that fits your goals at UW-Whitewater. Here’s a brief overview of our degrees in theatre:
Theatre major: Get a broad education
Designed to give you a broad theatre education, the Bachelor of Arts option also allows you the flexibility to add a minor or even declare a second major.
BFA Theatre programs: Specialize your studies
Our BFAs are professional theatre programs that allow you to specialize in one of three areas:
- performance
- design/technology
- stage management
These programs are in-depth, interdisciplinary and highly customizable based on your interests. For example, the management and promotion program offers courses from marketing, communications and business; and the performance major includes electives from broadcast journalism, English and dance.
Theatre Education major: Teach future teachers
UW-Whitewater provides a broad-based theatre education program that prepares our future high school theatre educators, often with a minor in English.
Dance minor: Add some movement to your major
This liberal arts program will expose you to several areas of dance, including ballet, contemporary dance, dance composition, choreography and dance history/criticism. "“As an actor, I always recommend dance classes to colleagues. It provides a person with a strong sense of spacial awareness and a strong understanding of blocking for the stage. I rarely need to be told how to block scenes and I attribute that to my involvement in the dance program.” - Alumnus Tyler King
Learn more about our majors, minors and degree requirements, below.
Student involvement and practicum credit
With five productions each year, Theatre and Dance majors will have plenty of behind-the-scenes and performance opportunities. Our season line-ups might include:
- Musical theatre
- Plays
- Dance concerts
- Theatre for Young Audiences (TYA) performances
You’ll also have the chance to earn official course credit when you participate in various roles in student productions: acting, make-up, directing, sound, costuming, stagecraft, scenery, management/publicity, lighting and more.
Additional hands-on experiences
Regional festivals and beyond
We actively participate regionally in the Kennedy Center American College Theatre Festival and the American College Dance Association Festival. In fact, when we compete in dance competitions, other schools are always surprised to learn UW-Whitewater has “only” a minor.
On-campus employment
We offer work-study positions in our scene shop, our costume shop and our department office. This gives our students a chance to learn more about various aspects of theatre production and programming while working part-time and earning money.
Student organizations
Theatre, dance and other performance-related groups on campus include:
- Theta Alpha Phi
- Forensics Team
Setting the scene: Our facilities
UW-Whitewater’s Theatre and Dance program uses a variety of learning, rehearsal and performance spaces; most are located in the Greenhill Center of the Arts, a place always bustling with music, theatre and dance majors. Here’s a look at a few spaces:
Young Auditorium: This 1,300-seat venue holds dozens of national and university events each year, from concerts and comedy to theater and dance.
Barnett Theatre: With a fully trapped stage — including an orchestra pit — this 380-seat theatre hosts many of our major productions.
Hicklin Studio Theatre: Our versatile black box theatre can be reconfigured to fit a variety of productions, and it is also used as a classroom and rehearsal space.
Kachel Studio: This multipurpose space is home to tap and other dance classes.
Dance Studio: This 4,000-square-foot facility has a sprung Marley floor, warm-up spaces, locker rooms; and it is home to most of our dance classes.
Design Lab: Also a classroom space for our theatre tech students, the lab features drafting tables, a lighting lab and workstations with the latest production and design software.
Scene Shop:In this fully equipped woodshop , you’ll find a paint room, a tool room and a storage area with a large collection of props and furniture.
Costume Shop: The shop is home to an extensive costume collection plus all the tools you’d need to costume a show: sewing machines, sergers, cutting tables, a spray booth, and dye facilities.
What our graduates do
Professional actors, dancers and musicians
Theatre educators
Stage designers and creative crew professionals
Rasell Holt graduated in 2015 with a Bachelor of Fine Arts in Theatre and an emphasis in Performance. Originally from Milwaukee, WI he is very proud to be a working actor. In the Summer of 2022 you can catch him in the American Players Theatre line up in “Raisin in the Sun” and “The Brothers Size.”
Grace Rusch graduated in 2020 with a Bachelor of Fine Arts in Theatre Technology and Design with an emphasis in Costumes, but originally wanted to be onstage. She now is working as a Wig Assistant on Tina: The Tina Turner Musical on Broadway.
Tyler King graduated in 2010 with a Bachelor of Fine Arts in Theatre and an emphasis in performance and a minor in dance. He now works regularly as a Performance/Motion Capture actor and stuntman in video games and movies. "Don't stop learning" is the advice he would give his future self.
Dance and Theatre jobs: Career success
Our Theatre majors and Dance minors are well-rounded, well-prepared practitioners who find work across the country, from New York to California, in theatre, entertainment and education.
You’ll find our graduates in regional theatres, national touring companies, various Shakespeare festivals, dance studios and production companies — as well as teaching at schools and colleges. Here are just a few organizations:
- American Players Theatre (Spring Green)
- Milwaukee Repertory Theatre (or Milwaukee Rep)
- Asolo Repertory Theatre (Sarasota, Florida)
- Fireside Theatre (Fort Atkinson)
- Goodman Theatre (Chicago)
- Melk Music (New Berlin)
- Universal Studios (University City, California)
- Walt Disney World (Orlando , Florida)
- Kenosha Unified School District
Many Theatre majors and Dance minors also pursue MFA (Master of Fine Arts) programs after graduation.
Dyamond Jackson, a first-generation college student from Milwaukee, Wisconsin, earned a BSE in theatre education and was hired as a K4 teacher with St. Marcus Lutheran School in Milwaukee, Wisconsin.
Our Theatre and Dance faculty
Performers. Directors. Stage Designers. Choreographers. Our Theatre and Dance faculty is cast with an array of professionals, many of whom are still active in the non-academic theatre world.
Want to learn more about earning a Theatre and Dance degree?
262-472-1566 | thtrdnce@uww.edu | 
In addition to UW-Whitewater’s general education requirements, Theatre and Dance students take a set of core courses and electives that will vary greatly depending upon major or emphasis. Select a program below to download the individual requirements.
UW-Whitewater offers the following degrees:
- Bachelor of Arts — Theatre | 4-year plan [PDF]
- Bachelor of Fine Arts (BFA) — Theatre, Design/Technology emphasis | 4-year plan [PDF]
- Bachelor of Fine Arts (BFA) — Theatre, Performance emphasis | 4-year plan [PDF]
- Bachelor of Fine Arts (BFA) — Theatre, Stage Management emphasis | 4-year plan [PDF]
- Bachelor of Science in Education — Theatre | 4-year plan [PDF]
Minors:
- Dance
- Musical Theatre
- Musical Theatre for Theatre Majors | 4-year plan [PDF]
- Musical Theatre for Music Majors | 4-year plan [PDF]
- Musical Theatre for non-Theatre/Music Majors | 4-year plan [PDF]
- Theatre
- Theatre Education | 4-year plan [PDF]
To apply, you’ll complete the UW-Whitewater application for admission and indicate your interest in theatre and dance.
View additional information regarding scholarship funds for Incoming Freshman [PDF] »
24/25 Productions
Lady Windermere's Fan by Oscar Wilde
Directed by Bruce Cohen
Oct. 4 at 7:30 p.m.
Oct. 5, 6 at 2 p.m.
Oct. 10, 11 at 7:30 p.m.
Oct. 12 at 2 p.m.
Hicklin Studio Theatre
Experience the wit and wisdom of Oscar Wilde's "Lady Windermere's Fan" live on stage, an intriguing comedy of manners that explores the complexities of love, trust, and social expectations. Set in the Victorian world of London’s high society, this timeless play captivates with its sharp dialogue, intriguing characters, and unexpected twists. Watch as the innocent Lady Windermere struggles with her jealous feelings toward her husband’s new interest in the older, mysterious Mrs. Erlynne, and witness the unfolding of Mrs. Erlynne’s dark past through lies, gossip, and assumptions. Perfect for lovers of classic theater, "Lady Windermere's Fan" is a must-see performance that continues to enchant audiences with its brilliant humor and profound insights.
Sylvia by A.R. Gurney
Directed by Robyn Accetta
Nov. 15 at 7:30 p.m.
Nov. 16, 17 at 2 p.m.
Nov. 21, 22 at 7:30 p.m.
Nov. 23 at 2 p.m.
Hicklin Studio Theatre
Step into Greg and Kate’s world as they are balancing their new lives in the vibrant city of Manhattan after twenty-two years in the suburbs. Discover how Sylvia, a lab and poodle mixture, becomes an escape from the stress of work for one and an opponent for affection for the other. A.R Gurney paints a humorous picture as Sylvia turns the lives of Greg and Kate upside down. The hilarious play depicts the relationship of a man and his best friend and the importance of his marriage through complications and revelations. Don't miss the significant lessons that a street-smart dog like Sylvia will teach the couple.
This play contains language that might not be suitable for a younger audience.
The Maid Turned Mistress
by Giovanni Battista Pergolesi / Dido and Aeneas music composed by Henry Purcell, libretto by Nahum Tate
Directed by Bruce Cohen
Musical Director Robert Gehrenbeck
Feb. 21 at 7:30 p.m.
Feb. 23 at 2 p.m.
Feb. 27 at 7:30 p.m.
March 1 at 2 p.m.
Barnett Theatre
Join us for an enchanting evening of opera with a captivating back-to-back performance of Pergolesi's comedy "The Maid Turned Mistress" and Purcell's poignant tragedy "Dido and Aeneas." Delight in the witty and charming tale of love and deception, followed by an emotional journey through ancient Carthage's timeless romance. Witness two masterpieces in one night, showcasing the incredible range of human emotion through exquisite music and unforgettable performances. Don’t miss this unique opportunity to experience the beauty and drama of these operatic gems—reserve your seats today!
The Maid Turned Mistress
Giovanni Battista Pergolesi’s “The Maid Turned Mistress” puts us in the life of Uberto, an old rich bachelor living with his servant, Serpina, who has become the dictator of the house. Annoyed with Serpina, Uberto begins to search for a suitable woman to marry and finally take revenge on Serpina’s increasingly dominating character. Follow as Serpina, eager to become the mistress of the house, will stop at nothing to become Uberto’s chosen wife. You won’t want to miss the whirlwind of jealously, love, and sneaky plots.
Dido and Aeneas
Experience the timeless tale of love and betrayal in Henry Purcell's masterpiece, "Dido and Aeneas." Let the hauntingly beautiful arias and powerful choruses transport you to the ancient world of Carthage. Immerse yourself in the tragic romance of Queen Dido and the Trojan hero Aeneas, brought to life by a stunning cast and mesmerizing orchestration. Don't miss this unforgettable evening of passion, drama, and music that has captivated audiences for over three centuries.
DanceScapes ‘25
Artistic Director: Barbara Grubel
April 2, 3 at 7:30 p.m.
April 5, 6 at 2 p.m.
Barnett Theatre
Get ready to be thrilled by "DanceScapes ’25." This production, under the artistic direction of Barbara Grubel, includes a variety of original dance pieces choreographed by students, faculty, and guest artist Joseph Ravens, a UW-Whitewater alumnus with an MFA from Chicago's School of the Art Institute. Ravens brings his extensive experience and vision as a performance artist to create a piece with students that is truly unique. You don’t want to miss this captivating performance!
No Exit by Jean Paul Sartre, adapted from the French by Paul Bowles
Directed by Robyn Accetta
April 25, 26 at 7:30 p.m.
April 27 at 2 p.m.
May 1, 2 at 7:30 p.m.
May 3 at 2 p.m.
Hicklin Studio Theatre
Cradeau, Inez, and Estelle are sent to Hell, but it is not what they expect. Instead of torture devices and punishment, they find themselves stuck together in a plain room, none of them wanting to admit their reason for damnation. Sartre’s "No Exit" explores a unique depiction of hell where the real torture is other people, from whom they cannot escape. You won’t want to miss this captivating adventure of three souls as they discover each other's crimes and their eternal destiny in hell.
This play contains themes that might not be suitable for a younger audience.
“No Exit” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. concordtheatricals.com
Scene and Costume Shops
Jobs are available in our scene and costume shops for all students regardless of major. Contact our faculty for more information.
Ruth Conrad-Proulx
Technical Director
conradpr@uww.edu | 262-472-1561
Department Office
thtrdnce@uww.edu | 262-472-1566
Auditions
Unified Auditions for Eurydice and Scrooge’s Christmas (A Christmas Carol)
In-Person Auditions: Wednesday, May 7, 6-9 p.m. in the Barnett Theatre
Callbacks: Show Specific Callbacks 9-10 p.m. in the Barnett and Hicklin Theatres
This is an open call, and the entire campus and Whitewater community is invited. You do not have to be a Theatre/Dance major or UW-Whitewater student to audition.
PLEASE NOTE: ALL admitted BFA-Performance students and ALL pre-BFA-Performance students are expected to audition for all productions and perform as-cast. Please be aware that non-participation in a department mainstage audition and refusal to accept a role as-cast will constitute a breach of the BFA degree track expectations and may damage and/or prevent progress toward achieving the BFA-Performance. Please refer questions about this policy to Prof. Eric Appleton (Chair), or Prof. Robyn Accetta (Head of Acting).
Play #1: Eurydice
Written by: Sarah Ruhl
Directed by: Robyn Accetta
Rehearsal Dates: Sept. 2–Oct. 2
Rehearsal Times:
Mondays–Fridays 6–9 p.m.
Saturdays 11 a.m.– 4 p.m.
Performance Dates:
Friday, Oct. 3, 7:30 p.m.
Saturday, Oct. 4, 2 p.m.
Sunday, Oct. 5, 2 p.m.
Wednesday, Oct. 8, 10 a.m. (Student Matinee)
Thursday, Oct. 9, 7:30 p.m.
Friday, Oct. 10, 7:30 p.m.
Saturday, Oct. 11, 2 p.m.
Strike: Sunday, Oct. 12, 9 a.m.-3 p.m.
Production Information:
“Eurydice” reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love.
This production requires physical storytelling elements that will include choreographed movement, close physical interaction, and heightened emotional exchanges.
Available Roles:
Eurydice: (F): A curious, intelligent young woman torn between the world of the living and the Underworld who is deeply in love with Orpheus.
Her Father: (M) – Eurydice’s kind and gentle father, residing in the Underworld. He serves as a guide, protector, and connection to her past.
Orpheus: (M) – A passionate and gifted musician who loves Eurydice deeply who expresses his emotions through music.
A Nasty Interesting Man/The Lord of the Underworld: (M) – A trickster-like ruler of the Underworld, who shifts between an eerie childlike presence and a menacing, controlling force.
A Chorus of Stones - Big Stone, Little Stone, and Loud Stone: (Any Gender) They are chorus of the Underworld and enforce the rules of the dead with humor, detachment, and occasional cruelty.
Play #2: Scrooge’s Christmas: A Christmas Carol
Adapted by: Ken Jones from the novel by Charles Dickens
Directed by: Bruce Cohen
Rehearsal Dates: October 13 – November 13
Rehearsal Times:
Mondays – Fridays: 7-10 p.m.
Saturdays: 7-10 p.m.
Performance Dates:
Friday, Nov. 14, 7:30 p.m.
Saturday, Nov. 15, 2 p.m.
Sunday, Nov. 16, 2 p.m.
Wednesday, Nov. 19, 10 a.m. (Student Matinee)
Thursday, Nov. 20, 7:30 p.m.
Friday, Nov. 21, 7:30 p.m.
Saturday, Nov. 22, 2 p.m.
Strike: Sunday, Nov. 23, 9 a.m.-3 p.m.
Production Information:
In Ken Jones' adaptation of Charles Dickens' classic tale, “A Christmas Carol,” a group of actors portray all the characters of this Christmas tradition. The ensemble provides the songs and sounds as the miserly Ebenezer Scrooge is confronted by the Spirits of Past, Present, and Future.
Available Roles:
All roles will be cast irrespective of conventional gender norms. This production will include singing and movement. We are especially interested in actors who can also play an instrument.
Actor 1: Scrooge
Actor 2: Bob Cratchit, Marley
Actor 3: Nephew [Fred], Christmas yet to come
Actor 4: Gentleman 1, Christmas Present
Actor 5: Gentleman 2, Fezziwig, Mr. Haversham
Actor 6: Mrs. Cratchit
Actor 7: Niece, Christmas Past
Actor 8: Young Scrooge, Joe (20-25 years), Thomas
Actor 9: Peter Cratchit, Boy-in-the-street (15-18 years)
Actor 10: Fan, Martha Cratchit (18-22 years)
Actor 11: Tiny Tim, Boy Scrooge
Actor 12: Belinda, Belle’s Daughter
Actor 13: Dick Wilkins, Belle’s Husband, Balladeer
Actor 14: Woman 1, Fiancée (Belle), Polly
Actor 15: Woman 2, Mrs. Fezziwig, Mrs. Haversham
Audition Information:
Auditions will consist of a 5-minute slot in which you will present 2 short contrasting monologues.
One must be from a play with heightened language to demonstrate facility with text.
Both monologues must be memorized.
Sides will be provided for those who prefer to read instead of preparing a memorized monologue.
Walk-ups accepted as time allows.
If Auditioning for Scrooge’s Christmas: Prepare 16 bars of a song.
May be sung a cappella or with pre-recorded accompaniment (must bring own playback device).
If singing impromptu, actors will be asked to perform a Christmas carol/song.
Links to Full Scripts:
We encourage everyone auditioning to familiarize themselves with each script. This allows for full transparency around the content of each play and helps inform your audition.
Eurydice Script [GOOGLE PDF] »
Scrooge’s Christmas Script [GOOGLE PDF] »
Sign-Up:
To reserve an audition slot, please sign up. Sign up will ask you to upload a resume and a headshot. No formal headshot is required, just a clear and close-up picture from the shoulders up is acceptable. Please arrive at least 5 minutes early to your registered time slot.
Callbacks will be held in person same day and actors will be notified by the end of the hour if they are being asked to attend. Callbacks will consist of cold readings of sides from the script. Sides are available to actors outside of the Department of Theatre Office and at the Anderson Library Circulation Desk. Hard copies will also be available at auditions on the day.
If you have any questions relating to “Eurydice,” please reach out to Robyn Accetta at accettar@uww.edu.
If you have questions relating to “Scrooge’s Christmas: A Christmas Carol” please reach out to Bruce Cohen at cohenb@uww.edu.
Thanks, and can’t wait to see you!
